Patrick O’Brian “Picasso: A Biography G.P.
Putnam’s Sons, 1976, 492 pp.
If you read this book, keep your computer close
by. Apparently it was the decision of
the author, or the publisher, not to include illustrations in the book. So, I
used my computer search engine and readily brought selected paintings &
sculptors to my screen which made the discussions much more understandable. Reading this book when published in 1976,
without such an assist, would have been frustrating--I believe I would have
just given up. Anyway, my motivation for
reading about Picasso was my puzzlement of why anyone would be attracted to
cubism. Every once in a great while I
kind of like an abstract work, but mostly not.
When I was much younger, I thought certain artists, maybe the ones who
couldn’t draw, were playing a joke on the gullible. Of course, Gertrude Stein could not be
considered gullible and she had a lot to do with launching Picasso’s career,
they first met in 1905. Anyway, the
book establishes that Picasso probably had the greatest work ethic of any
artist of the 20th century.
He lived 91 years, dying in 1973 without a will (he was superstitious
about even mentioning death) and an estate probably worth a billion dollars in
2013 money.
Picasso's output was very much related to the
changing women in his life. His
treatment and opinion of women is best illustrated by the comment he made to
his mistress, Francoise Gilot, that women were either “goddesses or doormats.”
My Notes:
Pg. 140:
Picasso was genuinely fascinated by Gertrude Stein’s appearance: his eye
detected qualities in her massive person that were concealed from the world in
general, for by ordinary standards her looks cannot have recommended her at any
time. She sat for him eighty or ninety
times. His meeting with Stein led to his
meeting and life-long friendship with Matisse.
Pg. 151:
Picasso’s 1909 painting “Demoiselles d’Avingnon” is one of the most
important paintings of the twentieth century.
In 1937 he painted Guernica (something even I like).


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